Shaolin Academy Crane Kung Fu (He Chuan)
The Path of the Crane is that of Peace and Management
On this page you will find most of the information that you require to learn, train and pass Post Red Sash level of Shaolin Crane Kung Fu.
The Crane is a strong symbol in China being a symbol for longevity because of its exceptionally long life span. Historically, Cranes have claimed a special place in the human imagination because of their several distinctive similarities to humans, including their height, vocalization, social nature, and perennial monogamy.
There are many stories about the origins of Crane Style Kung Fu, some citing foundation as recent as the 18th century, Ming Dynasty 15th Century but for the purposes of understanding the Shaolin Crane, we have two times of Origin; one when it was (most likely) introduced into Shaolin after the 2nd destruction of Shaolin around 11th Century; and the 2nd is how this source came to be the keeper of the origins, most likely from Tibet.
When the 2nd Buddhist Purge occurred in the 11th Century CE (1st purge and Shaolin destruction was around 570 CE, see Shaolin History for further detail), many Buddhist and Shaolin Monks dispersed to non Buddhist Monasteries including to the Daoist (Taoist) temple complex on Mount Emai Shan. Emei Shan has been inhabited since as early as 8000 BCE. It was originally a Taoist retreat that focused on health, healing and Longevity (Longevity being a preoccupation of Taoist's). During the Ming dynasty Emai Shan's Taoist Temples were converted to Buddhism.
Why is all this relevant to understanding the Shaolin Crane; because it is the main precept of Shaolin Crane Kung Fu to cause no harm or damage, teach yes, harm no. It is also the only style that can cope with Tiger Style Kung Fu practitioners
A Crane Fable or True Story?
There was once a young monk who was dedicated to Shaolin. He was brilliant in his studies and healing, courteous in his manners and exceedingly good in his Kung Fu. In all things he excelled though especially in the healing arts but not in his martial arts. Even the newest most, inexperienced of novices was able to best him in friendly sparring. It seems that our young monk did not have an aggressive bone in his body and not the mind to cause harm. This was perplexing to his teachers who were trying to teach him the fullness of balance and life and the ability to survive hostile and dangerous environments. Much was tried, nothing worked. The young Monk was now ready to begin his journey years but for this one shortcoming. Much was considered and finally his master suggested that he, the young monk, seek enlightenment in this matter by meditating, far away from distractions.
There is a nearby hill by Shaolin, only 30 minutes walk. The young monk would do his daily duties and then instead of Kung Fu training he would go up the mountain, into a peaceful clearing and meditate. It was quite restive and the monk enjoyed this and the time for more meditation. He made the journey to the same spot every day, fitting himself into the nature of the area well; so well that the animals came to trust him and continued their life close to where he sat, without showing fear. Even a flock of Cranes grazed there for a while on their yearly migration, without taking notice of him. All in all, it was peaceful, but the young monk was not getting anywhere with his quest. As it was quite beautiful and peaceful there, and he did not really enjoy sparring and defence, he continue to spending his time on ´his´ mountain.
One day when the Cranes were still there, he heard a foreign sound, something was not quite right. None of the animals seemed to have noticed anything, but the monks knew the area well now and had an uneasy feeling. He was right, he soon saw a Tiger shadowing the flock of Cranes seeking his target. The young monk was in a conundrum; his teaching is to be one with nature, but his sympathy was with the Cranes and the peaceful nature of the area. Before he could decide to shoo the Cranes off, the Tiger launched his attacked. The Cranes had not enough time to get away, to find enough speed to become air-born; at least one of the lovely creatures was doomed, he thought.
Surprisingly, one of the Cranes was acting strangely, making a lot of noise and moving in a different direction to the other Cranes, seemingly hurt or confused. The fluttering of this Crane and the load whooping distracted the eye of a Tiger who had set his eyes on a youngling. The Tiger swerved now focusing and stalking the seemingly injured and startled Crane. The the Tiger charged gain an impressive speed and leapt into the air directly at the Crane . . . who with a burst of wings and speed leapt aside just at the right moment not even loosing a feather to the surprised Tiger. What a surprise and even more of a surprise was that the Tigers nose was bleeding from a small scratch.
The Tiger did not wast any time, slowed down, swerved and refocused on the Crane; moved his head side to side to get a new distance and bearing and again charged. Again, at the very last possible moment the Crane leapt into the air with a startling swiftness that belied it's graceful and elegant movements.
This time the monk, ready for the encounter and saw what the Crane did (not moving for fear of being the new target). he also noticed somewhere in the back of his mind that most the other Cranes were now airborne and gaining hight. As the Tiger charged the Crane extended it's right wing and moved to the left seemingly offering a larger target. The Tiger continued to focus on the Cranes center of mass and speed up again leaping at the right moment to catch the Crane center. What the monk saw next amazed him; the Crane withdrew the wing at the last possible moment and standing one one leg, used the other lifted leg to scratch/kick/leverage of the Tiger exposed nose/shout to leap high into the air out of the Tiger reach, at the same time causing a small amount of damage and in the process, gaining hight and taking wing to fly up with the herd that was now full airborne. The Tiger was now bleeding more from the snout and breathing very hard.
The Tiger seemed perplexed with this turn of events and was very perplexed and without his dinner. The Tiger was also breathing hard. obviously he had put a lot of effort into his attack and was now out-of-breath. The Tiger planked down and rested breathing hard. The Monk found this so absolutely startling that he did not notice his own danger. But as it was, the Tiger was so tired that he had no interest in the monk or anything for that matter and just lay there licking it's wounds. The Monk stayed very still for a long time until the Tiger got up and waled away. he waited a bit longer still after that.
A couple of days later the young monk was summoned to the Abbot who asked to hear his account of the events. And as so often from clever teachers, he asked what the student had learned from this encounter. Well said the young monk, the Tiger can not be beaten and yet it did not get to win! What else asked the teacher? The student temporized, the Crane focused on not being hurt or killed and preferred to evade and avoid using misdirection and unusual movements. Anything else asked the teacher?
The young monk though about it but could not see anymore so the master suggested; how about the way the Crane Moved and what it did to confuse the Tiger and gain speed? Ah, said the young monk, you mean the distraction by extending only one wing both seemingly to be injured and gaining a bit of distance from the main line of attack? Yes and asked the Master? And the way the Crane used the Tigers strength for it's own purpose, not opposing the power but using it!
And this made sense, as a Tiger was unbeatable; so, as the old saying goes, 'Like Water wearing away at Rock', the Crane focused on keeping the attention of the Tiger on what it did. It then focused on it's own safety rather than attacking the Tiger in any way; only as an after-though would the Crane cause some minor distraction or irritation to the attacking Tiger. Maybe even with a bit of luck causing the Tiger breathing problems through the nasal blood flow or even possible eye irritation with a lucky claw.
With this they established a Crane Style strategy based around the precepts of;
Avoid any damage or chance of damage
Focus the attacker on what you want them to see and expect
Do not anticipate, be ready for everything
Use the strength and movement of the attacker for your own purpose
Seek not to win but to help your opponent to defeat themselves.
Crane the Animals
Cranes are any of several wading birds comprising the 15 species of the family Gruidae, order Gruiformes. There are;
Black Crowned Crane
Grey Crowned Crane
The Shaolin Crane Stylist
The Crane stylist prefers a harmonious environment and would sooner walk away from a conflict than even consider partaking in it. The Crane Stylist is a dancer, the most beautiful mover of all the Shaolin Animals. It's forms a beautiful, graceful and full of elegance. All though all movements, each turn and hop, each pause have a meaning, often a Crane stylists practice of form will look more like a dance. They are very light on their feet and can be mistaken for Ballet Dancers at the highest level
Introduction to Shaolin Crane Kung Fu
We need to remember that the Shaolin 5 Animal Kung Fu style is one style of several parts. This allows us to view each part in purity and idiality rather than making it workable for all and everyone. The ideal Shaolin Crane practitioner is slim, light, possibly tall with strong hips and legs. They prefer elegant, sweeping movements that blend and compliment into the environment they are in. The Spirit of the Shaolin Crane Stylist is that of a mother or teacher with a total lack of aggression, no time for power games or posturing. A Crane stylist may even choose not to hit an attacker or even be adverse to hitting. An old Chinese saying goes;
"A Crane is like a drop after drop of water, individually/seemingly doing nothing but wearing out over time, inevitably".
The Crane Stylist has no Weapons; as with the Crane, all body parts are tools. There are no special tools, hand shapes or techniques. Everything results from an avoiding or evasive movement and to the uninitiated may look like an accidental movement. A flung out hand, a tripping foot, a accelerating hand grab, an seemingly accidental brush across the eyes of a stray finger into an eye. All these executed almost as an afterthought as the Cranes ultimate tool is the strength of the attacker and not the effectiveness of it's techniques. The only weakness of the Crane is that is has to stay upright; falling is the cranes death.
The Crane Style Kung Fu
It is elegant, a thing of beauty and grace. From this style we have the concept of Dancing as a form of evasive martial arts. Like a gust of wind blowing through a horde of attackers, touching all but not being touched by any. Like water being punched, offering no resistance but after the initial impact back to how it was and where it was. Crane Kung Fu is aloof, above fear and anger. It is of peace and tranquility and then of sudden motion and beauty. It is....
The Crane Stylist Mantra
The Crane is always ready to flee! There is absolutely no gain for the Crane (Stylist) in any form of fighting or conflict. First sign of danger and away.
Where as Readiness is the Crane Stylists constant state of mind, Awareness is it's main tool for this. To be ready, you need to be aware of your surroundings, at all times, in all place.
Awareness through Emptiness of Thought; no anticipation, no expectations just a total acceptance of the feel and signals of your surroundings.
Even before the Crane has a need for evasion (unless all the above has failed) the Crane seeks to Confuse, Misdirect and Mislead the potential attacker
The main priority of the Crane Stylist is Safe Evasion. All else comes after. If the Crane Stylist has successfully evaded and there is a moment where they could land a technique, a poke, a punch or kick, without endangering their Evasion, than OK.
The Cranes Stylist MO
The Crane operates by total Adaptation, immersion into the given situation before taking any action. In a way it is the ultimate spiritual chameleon, adapting to the surrounding s and situation almost totally. It seeks to gain a feel for the situation at hand and adapt to the circumstances. It will initially contribute to a situation with intuition and emotion seeking that total immersion, unless it is threatened.
As the Crane is a very social animal (within the context of the Shaolin Crane Kung Fu) it will seek to be a contributing part of the whole, adding in a positive way; being almost totally inconspicuous. If danger threatens it will run with the rest seeking safety and escape, unless it is the responsible parent, adult, elder or feels that it's action can be of benefit to all.
You are a Crane Personality
If you prefer non-violent action and want everyone to get along even if it means severe compromise and work. As a Crane personality you feel that family, friends and work mates are the reason for living, socializing and having fun with other people is your greatest joy. You don't like bullies but do like strong commanding people. You don't like pushy people but do like for someone to take charge. You prefer witty charming and non-threatening people in a know and safe environment, and prefer not to experiment. Normally you would not be into martial arts (that is why most Crane Styles are not really Crane styles in the pure sense but have major Crane elements only) but yoga, aerobics, tai chi or another form of non-competitive sport. You like elegance, beauty, looking good and being relatively well dressed.
Crane Kung Fu
In terms of martial arts, the Crane Stylist is not a seeker of 'action' but will rather leave the fighting to others, supporting them when needed, chiding when they believe it is unnecessary (which is most the time). If confronted directly it will seek to evade, avoid and defuse the situation, seeking always for a non-action solution. Only if the situation becomes unbearable, unavoidable, imminent or they are protecting someone, will they stand and draw the focus onto themselves; still seeking to diffuse the situation, negotiate a peaceful outcome or bargain a solation without violence.
When/If it comes to fighting, the Crane will seek to wear down the opponent, seek to demotivate or educate where possible. It will keep it's distance from the attacker without backing away obviously. It will seek to create confusion to the attacker with words, action or body movement. It will seek to maximize the effort put in by the attacker and minimize it's need for a response knowing that if it can survive the initial few attacks it will still be fresh and safe but the attacker will be a bit worn down. It's main strategy will be to first avoid harm, observing the attacker. it will then 'experiment' with some irritation techniques, a flick here, a sting there, a foot trip or an eye poke. The Cranes aim is to strip the attacker of planning and thought down to it's basics instincts, which are, for the Crane Kung Fu stylist, easily predictable and manageable.
The Crane does not seek to win; the Crane just seeks not to loose. It is not competitive or combative but cooperative and contributory.
Crane Kung Fu Skills
Evasion, Avoidance and Adaptation. Cranes are elegant dancers charming their attackers rather then beating them. If that doesn't work they try to educate them through small pains, scrapes and trips. Only if both the one and the other does not work will they go to more severe measure such as hyper-extension, bouncing of an object and possibly even minor trap setting (standing in front of something waiting for the attacker to charge and then helping the person to hit this object rather than them.
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Overview of Shaolin Crane Kung Fu Techniques
Primarily, side-stepping, redirecting and general avoiding and no major attacking techniques. But there are some 'persuasion' and 'educational' techniques that the Crane Stylist needs to master but more to that below in the 9 tests section. As a Crane learn to move like the wind, dance like Mikhail Baryshnikov and Gene Kelly and learn to adapt.
The Nine Tests of Shaolin Crane Kung Fu
1st Test; a Prerequisite
To attempt for the Shaolin Crane Level you need to either be qualified as a Red Sash (or senior) in Shaolin Temple Kung Fu or a Black Sash in a recognized Martial Art Style or close to that. As there is no international standard for martial art black sashes we can not set a universal minimum requirement. We 'suggest' that you have at least 5 years of regular Martial Art training; 500 sessions or more before you attempt this level. And there is a second option.
The Crane Style is not an attacking but a countering style which uses a lot of evasion. One of the advanced forms of the Crane is called the Dancing Crane. But in reality, a good Crane Practitioner is a dancer. So if you have some 5 years of Dance Experience this may also be sufficient to try out for this Advanced Kung Fu level.
Test 1 - Send us proof of your martial art experience;
a - Video of your most senior grading
b - Certificate of Level Achievement and/or
c - Written letter from your instructor verifying your ability/level.
2nd Test - Elegance and Poise
The Shaolin Crane Kung Fu person needs to be Elegant of Stance, Beautiful of Movement, Balanced in Jumping and Light of Foot. Even if you are a heavy and solid person, appreciating the aspect of the Crane will want you finding your your lighter inner nature, a higher center of balance. Thus, the 2nd test we ask you to do the following 5 Exercises;
Balancing on Each Leg for 5 mins in Crane Stance uninterrupted and with Eyes closed and hands in Buddha Palm.
Be able to stand on one leg and go all the way down, only using the one leg and then come back up; demonstrate one each left & right Leg.
Crane Walking Exercises are over 1000 years old we believe. You will need to demonstrate the 5 Intermediate Crane Walking Exercises.
Crane also needs to be able to Spin and Turn; walking in a straight line for 10 steps turn 5 times and then again but turn in the other direction.
Walk on a 2 inch, 5 cm balance beam or a piece of 2 by 4 wood. It need not be far of the ground but you need to walk 10 steps forward without any aids.
Test 2 - Record a good quality well lit video of you performing these exercises 10 time; record 5 from the front and 5 from the side;
a - 5 minute balance on Crane Stance each foot
b - From a standing position
c - Written letter from your instructor verifying your ability/level.
3rd Test - The Essential Systems
Crane Kung Fu need to be very good in it's stances, movement and blocking. For this purposes you will need to learn three Systems of Techniques; and be fairly good at performing them! In this case you need to learn the System of 21 Stances, the System of 5 Stepping methods and the System of Crane Blocks. To help you with the Crane Blocking we have included the full Temple System of Blocks which includes the Crane System of Blocks within it but a bit clearer.
Test 3 - Record yourself demonstration of each from the front and from the side (one each)
a - System of Stances
b - System of 'Crane' Blocking.
c - Your ability to use the 5 different stepping methods.
4th Test - System of Evasions
The 5 Stepping Methods or Ways are underpin the Crane Stylists ability of Movement by channeling this into method and Direction. Like a hand with 4 Fingers and Thumb, Crane Kung Fu masters four Ways of Evasion plus leaping, in essence doubling the methods of evasion to Eight!
Jumping & Leaping Evasion
In many way the Crane is the antithetical to the Shaolin Tiger. The Tiger only moves forward to attack and has no other direction of motion. The Crane moves in every direction except forward and very limited going directly back.
Above you see that option 1 is not really a good option as you may end up being buried under the charge of your attacker. Most forward movement is much quicker than going backwards; even if you turn and run, the turning delay can be all the the attacker needs and they have your defenseless back. But, let's not mince words, a true Crane Stylist has absolutely no problem running away from a conflict. They will only stand and distract if there is a very good reason for it; else run.
Side stepping forces your attacker to change direction and possibly even attacking sides. For this purpose Side Stepping and Snake Stepping are brilliant. When properly learned these are the best fundamental evasions for most occasions. At this level focus on these initial 6 directions of movement to the exclusion of all else. Avoid ALL backwards stepping (as in option 1).
Circular Stepping is the 4th and at this point the most advanced evasion method that teaches the 1st part of the advanced way of Conflict Management, Shaolin Dancing. Non-linear Movement combined with Circular Path Movement can really confound the senses to the untrained and unprepared eye. Change direction whilst changing speed is something that takes our brain much longer to process than just a Change of Direction or a Change of Speed. If you add to this a semi-circular movement, if you have the skill to combine the three you are well on your way to becoming untouchable. For this is the Cranes Skill.
Finally, considering your strong legs, hip flexibility, movement agility and add to it the occasional hop, leap or jump and you will be slowly but surely starting to understand how the Shaolin Crane makes itself untouchable. There is more.
Test 4 - Record yourself demonstration of each from the front and from the side (one each)
a - System of Stances
2 - System of 'Crane' Blocking.
3 - Your ability to use the 5 different stepping methods.
5th Test - Shaolin Dancing
The Crane's speciality is Evasions. Evasions is a combination of Stepping Methods, Directions and an attitude of lightness. In the Shaolin Crane Kung Fu system you need to combine these seamlessly to understand and use Shaolin Crane Style Kung Fu.
Above you have first the Stances and the System of Stances. As the Crane Stylist you need to be very versed with all stances and seek to master the high 5 stances Guard, Cat, Crane and Eagle front and back. Stressing again though that you need to practice ALL the stances else you will not have the leg strength and stability that you need if you only rely on the high stances. Leg Strength and Agility together with Core Strength and Hip Flexibility are very much the key to this style of Kung Fu.
Possibly, the style of movement is best expressed is you look at it as a Dance; in fact, Shaolin Sparring is actually called Shaolin Dancing. To the left you see the Dancer and we feel that is best shows the type of movement you should aim for at this level. A certain lightness, asymmetrical hand extensions (called distracting Cranes Wings), light leaps, very good balance on one leg and the majority of time using the ball of the foot not the heel. Also, rhythmic movement allows an attacker to think they can anticipate you movements, thus rhythmic light swaying movements when waiting for the attack is an alternative to just being still. A very good representation of the Cranes movements up to the point where they turn into an elegant lightning streak when evading a direct attack. But do not give you speed away to soon.
Test 5 - Record yourself Shadow Sparring/Dancing for approximately 3 minutes in your interpretation of Crane Evading .
The 6th Test - The Advanced Evasion
If you are finding that we are spending a lot of time on Movement and Evasion, you are grasping the essence of the Crane. Yes, it seems boring and that is why so many stiles talk about having the essence of the Crane within them but really don't. Tiger is about Power, Panther is about Strategy, Snake is about Avoidance and Crane is about Mobility. Two styles for Attack and two styles for Evasion/Avoidance. That is the Shaolin System.
The Crane Kung Fu style uses a multi directional evasion, a bit like the Knight in Chess or the Pao in Chinese Chess; well actually it can do both at the same time. The issue is that when a Crane Kung Fu practitioner evades he/she always evade with sudden changes of direction between 45 degrees up to 315 degrees after the initial movement. If you think this sounds complex, well it is meant to make the Crane Practitioner Untouchable and Unpredictable. The Panther and Crane are both unpredictable in most every way except where they are different. The Crane will always seek to evade and the Panther will always seek to win.
You will notice that the retreating direction is marked with a Red Arrow. The Crane Stylist tries to evade 'off-line' to force the attacker to slow down and change directions, and then the Crane Practitioner again changes direction. You will notice that the first example above starts with a backward direction and then a 90 degree directional change. This is for the beginner the least advised evasion method. When you are being attacked from the front, your attacker is quicker going forward than you are going backward! That is why initially you choose one of the 6 directions other than directly forward or directly backward and after the initial evasion, you change directions!
Another no-no, initially, for the Crane Stylist, is to move away and then move back to the position they were in or on the same attacking line (as in graphic 2 above), even if this movement takes them a bit further back. Coming back into the line of the attacker and could be worse off than before. Preferred are the stepping combinations from graphic 3 to 8 where by after you initial movement, change directions again by 45 degrees or 90 degrees. graphics 9 and 10 show a more advanced evasion method where you can end up being behind the attacker; this is good if you are really good but not so good most other times.
The graphic to the right/above shows the best initial evasions for this level of Crane Kung Fu.
When you start seeing the combinations possible; The straight arrows can be substituted by curved arrows showing that any combination of
Initial Straight-line movement followed by a change in direction and again a straight-line movement (like in Graphic 3 above)
Initial Straight-line movement followed by a change in direction and then a curved-path movement (like in the 2nd side graphic right -->)
Initial Curved-path movement followed by a change in direction and then another curved-path movement (no graphic shown) or
Initial Curved-path movement followed by a change in direction and then a straight line movement (like in the final incomplete graphic to the right below)
Any combination can be used of direction with any combination of Straight Line movements and Curved Path movements except those that;
Go back on them selves
Go back into the path of the attacker
Move in the direction of the attacker.
Bewildering? Good! We are coming closer and closer to the Skill of the Crane, Movement and Evasion above all else! Usually though, as mentioned before, the best combination of evasion is a combination of a straight-line evasion; followed by a directional change; followed by a a circular-path movement or the other way about; the initial evasion is a circular-path movement; followed by a change of direction; followed by a sudden straight path movement!
Note - Graphic 'a' shows all the possible recommended evasion paths in a straight line. Graphic 'b' though only shows half of all the possible circular-path movements, the clock-wise direction. We double all the possibilities by also having anti-clockwise movements. Showing this would make the graphic unreadable (we know we tried..). Finally, graphic 'c' only shows a small portion of the possible follow-up straight-line movements after an initial circular-path evasion. By this point you should have the idea of all the possibilities and what not to do!
Just to be sure, graphic 'd' shows what direction NOT to take! This is not an absolute and later some things will change but at this time, you have 5 initial directions to chose from, NW, NE, E, N, SE, SW; those are you first evasions. As long as you do not retrace your steps with you direction change all should be well.
Note 1 - The Crane can not be caught, found, engaged or allow themselves or pushed into a corner. The first course of action for the Crane in a 'situation' is to search for space. Using obstacles is the Skill of the Panther and Snake not Crane. The Crane prefers open space (as a bird would).
Note 2 - The Crane Stylist will only execute an attacking technique when it is 99.99999% sure that this will not allow the attacker to get a hold of them or strike them.
Note 3 - Although in a real situation a Crane Stylist is not limited to using just the directions shown, to pass the examinations you need to show that you are not just randomly moving but have learned controlled and directed evasion. You initial evasion can only be in the 6 Primary Directions (graphic a, main arrows) and the follow up directions are also usually not more than 6. You will be randomly tested on 10 combinations of increasing difficulty.
The Shaolin Flying crane is a traditional form and will in some places not quite adhere to the stepping patterns. No problems.
Each member performing the Shaolin Flying Crane Form has the option of adding their own finish. You can do this or not; what ever you present us with, as long as the Core Form is there, we will give you appropriate feedback.
Flow, Poise and Balance are more important than speed; really!
Should you have any physical limitations or special requirements; tell us. Adaptation of the form to your needs is not only possible but necessary. As an experienced martial artists you will know where you need to push your limits and where the limits are no longer push-able.
Test 7 - You will record yourself demonstration the Shaolin Flying crane form twice; once from the front and once from the side.
Please ensure that you capture all parts of the form and in a well lit area. What we can not see we can not give feedback.
The Flying Crane Form
8th Test - Theory/Knowledge
As a Crane Stylist you have many options for this test. The Crane usually has a good expressive communication, but not always in words. You can, as with the other Shaolin Animal styles write about an event or person in current events or recent and distant history that you believe best represents your understanding of the Shaolin Crane. But you can also chose to recite a Poem that fulfills the same purpose of representing your understanding of the Crane. You may also stage a short recital, play a Video, presentation, performance or almost anything that YOU believe represents you version of Crane Style. Run your ideas past Sijo to clarify expectations, minimum requirements need to be meet and time allocation to be agreed.
Test 8 - This is flexible and your choice. There are many wrong ways to do this but also many right ways. It is your interpretation and understanding of the Shaolin Crane (Kung Fu) that you will present. You options are
- Report; on a current event or circumstance that you feel in some way shows the Crane Aspect. Explain your reasoning for this choice.
- Present a Poem on Video and explain after why you feel this is applicable.
- Write about an historical event, person, circumstance that you feel in some way shows the way of the Shaolin Crane.
- Suggest something else to us by e-mail
9th Test -
This test is always an open subject and you have a choice of filling it with something that shows your Crane or you understanding of the Crane or something you develop expressing your Crane. What ever you choose to do for the 9th Test, it will never take away from the previous 8 tests and will be counted as a bonus if there is anything that is marginal. Following are some suggestions.
- Develop your own crane form between 90 seconds and 120 seconds duration not including the Formal Bows.
- Present a Dance like the one shown above or what-ever you believe expresses the Crane Best.
- Record a performance of yourself in some way expressing the Crane (music, mime, play, etc.)
- Other options, write to us with suggestions!
This will not make an expert out of you, or a Champion or a Warrior; but it gives you are good grounding that will enable you to specialize, if you wish, in a direction you care to take. Some have chose to enter competitions and have done well in All Styles Comps, Kung Fu Comps, Internationally and Nationally. Shaolin Academy students have even been used as action stand-in's in theater, movies, music videos and shows. We even put on a show at the Shaolin Temple in Henan China.
You may choose to want to use the style for Acting, Stage Work, Shows, Street Theater and such but it also applies for everyday life. Recognizing when you are confronted with a Tiger Style personality, you will know what you are up against, be it in the office, at a party, in the street or elsewhere. And the more you immerse yourself in the understanding of your Tiger, you will find that you are able to manage it within yourself better, both to restrain it when it will harm and to use it when appropriate. You will also learn the weaknesses of the each animal and relies that, for example, a Tiger can only be defeated by a Greater Tiger or by a mouse (and you need to work this out).
Level Review Application (and Certification)
Before you attempt the next level, ensure that everything you have learned in this level is correct. As you progress, many, many of the techniques that follow are based around, founded or along very similar principles as the ones from the 1st levels. Fix any problems and details now before you learn new techniques and carry through the errors thus doubling and tripling the effort to fix them later. And as an old and new wisdom stated "It is 5 times more difficult to fix a habit then it is to establish it!
Apply for a Level Review before you commence on the next level!
More Question, Thoughts, Ideas Proposals and/or Suggestions (QTIPS)?